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My Brother, My Land by
A riveting and unapologetic account of Palestinian resistance, the story of one family's care for their land, and a reflection on love and heartache while living under military occupation. In 1967, Sireen Sawalha's mother, with her young children, walked back to Palestine against the traffic of exile. My Brother, My Land is the story of Sireen's family in the decades that followed and their lives in the Palestinian village of Kufr Ra'i. From Sireen's early life growing up in the shadow of the '67 War and her family's work as farmers caring for their land, to the involvement of her brother Iyad in armed resistance in the First and Second Intifada, Sami Hermez, with Sireen Sawalha, crafts a rich story of intertwining voices, mixing genres of oral history, memoir, and creative nonfiction. Through the lives of the Sawalha family, and the story of Iyad's involvement in the Palestinian Islamic Jihad, Hermez confronts readers with the politics and complexities of armed resistance and the ethical tensions and contradictions that arise, as well as with the dispossession and suffocation of people living under occupation and their ordinary lives in such times. Whether this story leaves readers discomforted, angry, or empowered, they will certainly emerge with a deeper understanding of the Palestinian predicament.
Made in Palestine by
Exhbtion catalogue of contemporary Palestinian art, Station Museum, Houston, Texas
O Jerusalem by
Now a major motion picture, this remarkable classic recounts, moment by moment, the spellbinding process that gave birth to the state of Israel. Authors Collins and Lapierre weave a brilliant tapestry of shattered hopes, fierce pride, and breathtaking valor as the Arabs, Jews, and British collide in their fight for control of Jerusalem. O Jerusalem! meticulously re-creates this historic struggle. Collins and Lapierre penetrate the battle from the inside, exploring each party's interests, intentions, and concessions as the city of all of their dreams teeters on the brink of destruction. From the Jewish fighters and their heroic commanders to the charismatic Arab chieftain whose death in battle doomed his cause but inspired a generation of Palestinians, O Jerusalem! tells the three-dimensional story of this high-stakes, emotional conflict. Now with a new introduction by Dominique Lapierre, O Jerusalem! remains, as ever, a towering testament to the fiery dawn of Israel and an unforgettable tale of faith and violence, of betrayal and indomitable courage.
Tolerance Is a Wasteland by
How denial sustains the liberal imagination of a progressive and democratic Israel. The question that this book aims to answer might seem simple: how can a violent project of dispossession and discrimination be imagined, felt, and profoundly believed in as though it were the exact opposite--an embodiment of sustainability, multicultural tolerance, and democratic idealism? Despite well-documented evidence of racism and human rights abuse, Israel has long been embraced by the most liberal sectors of European and American society as a manifestation of the progressive values of tolerance, plurality, inclusivity, and democracy, and hence a project that can be passionately defended for its lofty ideals. Tolerance Is a Wasteland argues that the key to this miraculous act of political alchemy is a very specific form of denial. Here the Palestinian presence in, and claim to, Palestine is not simply refused or covered up, but negated in such a way that the act of denial is itself denied. The effects of destruction and repression are reframed, inverted into affirmations of liberal virtues that can be passionately championed. In Tolerance Is a Wasteland, Saree Makdisi explores many such acts of affirmation and denial in a range of venues: from the haunted landscape of thickly planted forests covering the ruins of Palestinian villages forcibly depopulated in 1948; to the theater of "pinkwashing" as Israel presents itself to the world as a gay-friendly haven of cultural inclusion; to the so-called Museum of Tolerance being built on top of the ruins of a Muslim cemetery in Jerusalem, which was methodically desecrated in order to clear the space for this monument to "human dignity." Tolerance Is a Wasteland reveals the system of emotional investments and curated perceptions that makes this massive project of cognitive dissonance possible.
A Day in the Life of Abed Salama by
Immersive and gripping, an intimate story of a deadly accident outside Jerusalem that unravels a tangle of lives, loves, enmities, and histories over the course of one revealing, heartbreaking day. Five-year-old Milad Salama is excited for a school trip to a theme park on the outskirts of Jerusalem. On the way, his bus collides with a semitrailer. His father, Abed, gets word of the crash and rushes to the site. The scene is chaos--the children have been taken to different hospitals in Jerusalem and the West Bank; some are missing, others cannot be identified. Abed sets off on an odyssey to learn Milad's fate. It is every parent's worst nightmare, but for Abed it is compounded by the maze of physical, emotional, and bureaucratic obstacles he must navigate because he is Palestinian. He is on the wrong side of the separation wall, holds the wrong ID to pass the military checkpoints, and has the wrong papers to enter the city of Jerusalem. Abed's quest to find Milad is interwoven with the stories of a cast of Jewish and Palestinian characters whose lives and histories unexpectedly converge. In A Day in the Life of Abed Salama, Nathan Thrall--hailed for his "severe allergy to conventional wisdom" (Time)--offers an indelibly human portrait of the struggle over Israel/Palestine and a new understanding of the tragic history and reality of one of the most contested places on earth.
Lost time by 
A Rebel in Gaza by
Gaza has always been rebellious . . . stubborn, addictive. I'm her daughter, and I look like her. A Palestinian journalist who grew up in the Rafah refugee camp in Gaza, Asmaa al-Ghoul offers a rare view of a young woman coming into her own political and secular beliefs amidst the region's relentless violence and under Israeli occupation. She has been called "too strong minded," frequently criticized for not covering her hair and for being outspoken. As a journalist and activist, she has led demonstrations and been vocal in her opposition to Hamas and Fatah, which has led her to family strife, imprisonment, brutal interrogations, death threats and attacks. A Rebel in Gaza is Asmaa's story as told to Franco-Lebanese writer Selim Nassib over the course of the "Arab Spring" through meetings, phone calls, Skype, and even texts during the siege of Gaza in 2014, when Israel conducted Operation Cast Lead in response to several rocket attacks by Hamas and she was locked in the "open air prison" that her homeland had become. Both determined and dedicated to its liberation through writing, education and culture, she paints the sensory portrait of the native country she passionately loves, which over years has become a cauldron of wars and fundamentalism. Asmaa al-Ghoul (b. 1982) was given the prestigious Courage in Journalism Award by the International Women's Media Foundation and is described by The New York Times as a woman "known for her defiant stance against the violations of civil rights in Gaza." Selim Nassib (b. 1946), journalist for Libération and novelist is the author of I Loved You for Your Voice and The Palestinian Lover (Europa Editions).
The Gaza Strip by
In the final edition of Roy's ground-breaking work, she argues that Gaza's trajectory over the last 48 years has reconstructed the territory from one that had been economically integrated and deeply dependent upon Israel and strongly tied to the West Bank, to an isolated and disposable enclave cut off from the West Bank as well as Israel and subject to ongoing military attacks.
The Tiny Journalist by
"A moving testament to the impact one person can have and the devastating effects of occupation." --Washington Post Best Poetry Books of 2019 Internationally beloved poet Naomi Shihab Nye places her Palestinian American identity center stage in her latest full-length poetry collection for adults. The collection is inspired by the story of Janna Jihad Ayyad, the "Youngest Journalist in Palestine," who at age 7 began capturing videos of anti-occupation protests using her mother's smartphone. Nye draws upon her own family's roots in a West Bank village near Janna's hometown to offer empathy and insight to the young girl's reporting. Long an advocate for peaceful communication across all boundaries, Nye's poems in The Tiny Journalist put a human face on war and the violence that divides us from each other.
Israel by
Since its establishment in 1948, the state of Israel has not ceased to be a unique and controversial entity: vehemently opposed by some, and loyally supported by others. In this novel and original study, Colin Shindler tells the history of Israel through the unusual vehicle of cartoons - all drawn by different generations of irreverent and contrarian Israeli cartoonists. Richly illustrated with a cartoon for every year since Israel's establishment until 2020, Shindler offers new perspectives on Israel's past, politics, and people. At once incisive and hilarious, these cartoons, mainly published in the Israeli press, capture significant flashpoints, and show how the country's citizens felt about and responded to major events in Israel's history. A leading authority on Israel Studies, Shindler contextualises the cartoons with detailed timelines and commentaries for every year. Sometimes funny and sometimes tinged with tragedy, Shindler offers a new, visually exciting, and accessible way to understand Israel's complex history and, in particular, the Israel-Palestine conflict.
Arabesques by
A luminous, inventive, and deeply personal exploration of living in the liminal space between Jewish and Arab, ancient and modern, by a gifted Palestinian writer. Chosen by The New York Times as one of the best books of 1988, Arabesques is a luminous novel that engages with history and politics not as propaganda but as literature. That engagement begins with the language in which the book is written- Anton Shammas, from a Palestinian Christian family and raised in Israel, wrote in Hebrew, as no Arab novelist had before. The choice was provocative to both Arab and Jewish readers. Arabesques is divided into two sections- "The Tale" and "The Teller." "The Tale" tells of several generations of family life in a rural village, of the interplay of past and present, of how memory intersects with history in a part of the world where different people have both lived together and struggled against each other for centuries. "The Teller" is about the writer's voyage out of that world to Paris and the United States, as he comes into his vocation as a writer, and raises questions about the authority of the storyteller and the nature of the self. Shammas's tour de force is both a personal and a political narrative-a reinvention of the novel as a way of envisioning and responding to historical and cultural legacies and conflicts.
Inside/Outside by
The first collection of its kind, Inside/Outside: Six Plays from Palestine and the Diaspora brings together work by six dynamic Palestinian playwrights from both occupied Palestine and the Diaspora. These plays take on Palestinian history and culture with irreverence, humor and, above all, an electrifying creativity. Tennis in Nablus by Ismail Khalidi Keffiyeh/Made in China by Dalia Taha Plan D by Hannah Khalil Handala by Abdelfattah Abusrour Territories by Betty Shamieh 603 by Imad Farajin
Not the Israel My Parents Promised Me by
Harvey Pekar's mother was a Zionist by way of politics. His father was a Zionist by way of faith. Whether Harvey was going to daily Hebrew classes or attending Zionist picnics, he grew up a staunch supporter of the Jewish state. But soon he found himself questioning the very beliefs and ideals of his parents. InNot the Israel My Parents Promised Me, the final graphic memoir from the man who defined the genre, Pekar explores what it means to be Jewish and what Israel means to the Jews. Over the course of a single day in his hometown of Cleveland, Ohio, Pekar and the illustrator JT Waldman wrestle with the mythologies and realities surrounding the Jewish homeland. Pekar interweaves his increasing disillusionment with the modern state of Israel with a comprehensive history of the Jewish people from biblical times to the present, and theresult is a personal and historical odyssey of uncommon power. Plainspoken and empathetic, Pekar had no patience for injustice and prejudice in any form, and though he comes to understand the roots of his parents' unquestioning love for Israel, he arrives at the firm belief that all peoples should be held to the same universal standards of decency, fairness, and democracy. With an epilogue written by Joyce Brabner,Not the Israel My Parents Promised Me is an essential book for fans of Harvey Pekar and anyone interested in the past and future of the Jewish state. It is bound to create important discussions and debates for years to come.
The Gates of Gaza by
The secret alliance between Israel, Britain and France to destroy Nasser's rule in Egypt was a pivotal event in the history of the modern Middle East. The Suez crisis brought about both a humiliation for the old imperial powers and a remarkable victory for Israel. Mordechai Bar-On was General Moshe Dayan's personal assistant during the Suez campaign and has drawn on both his own diary and many years of research to produce a gripping, definitive account of the Israeli side to the war. The Gates of Gaza describes the fears, suspicions and agonizing debates that resulted in Ben-Gurion's decision to enter the clandestine pact with France and Britain, the military victory in the Sinai, and the subsequent withdrawal in the face of pressure from the United Nations. What was at the time a frustrating conflict for Israel should now be seen, in Dr Bar-On's view, as a crucial event in securing the new nation's position in the Middle East and providing a breathing space before the great Arab challenge of 1967.
Palestine by
A landmark of journalism and the art form of comics. Based on several months of research and an extended visit to the West Bank and Gaza Strip in the early 1990s, this is a major work of political and historical nonfiction.
Jerusalem by
"Neither Jewish nor Arab, Delisle explores Jerusalem and is able to observe this strange world with candidness and humor...But most of all, those stories convey what life in East Jerusalem is about for an expatriate."--Haaretz "Engaging...[ Delisle] highlights the very complex lives of Israelis, Palestinians, and foreign residents."--Publishers Weekly Starred Review Guy Delisle expertly lays the groundwork for a cultural road map of contemporary Jerusalem, utilizing the classic stranger in a strange land point of view that made his other books, Pyongyang, Shenzhen, and Burma Chronicles required reading for understanding what daily life is like in cities few are able to travel to. In Jerusalem: Chronicles from the Holy City, Delisle explores the complexities of a city that represents so much to so many. He eloquently examines the impact of the conflict on the lives of people on both sides of the wall while drolly recounting the quotidian: checkpoints, traffic jams, and holidays. When observing the Christian, Jewish, and Muslim populations that call Jerusalem home, Delisle's drawn line is both sensitive and fair, assuming nothing and drawing everything. Jerusalem showcases once more Delisle's mastery of the travelogue.
After the Last Sky by 
Apeirogon: a Novel by
NEW YORK TIMES BESTSELLER * "A quite extraordinary novel. Colum McCann has found the form and voice to tell the most complex of stories, with an unexpected friendship between two men at its powerfully beating heart."--Kamila Shamsie, author of Home Fire FINALIST FOR THE DUBLIN LITERARY AWARD * LONGLISTED FOR THE BOOKER PRIZE * WINNER OF THE NATIONAL JEWISH BOOK AWARD * NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Independent * The New York Public Library * Library Journal From the National Book Award-winning and bestselling author of Let the Great World Spin comes an epic novel rooted in the unlikely real-life friendship between two fathers. Bassam Aramin is Palestinian. Rami Elhanan is Israeli. They inhabit a world of conflict that colors every aspect of their lives, from the roads they are allowed to drive on to the schools their children attend to the checkpoints, both physical and emotional, they must negotiate. But their lives, however circumscribed, are upended one after the other: first, Rami's thirteen-year-old daughter, Smadar, becomes the victim of suicide bombers; a decade later, Bassam's ten-year-old daughter, Abir, is killed by a rubber bullet. Rami and Bassam had been raised to hate one another. And yet, when they learn of each other's stories, they recognize the loss that connects them. Together they attempt to use their grief as a weapon for peace--and with their one small act, start to permeate what has for generations seemed an impermeable conflict. This extraordinary novel is the fruit of a seed planted when the novelist Colum McCann met the real Bassam and Rami on a trip with the non-profit organization Narrative 4. McCann was moved by their willingness to share their stories with the world, by their hope that if they could see themselves in one another, perhaps others could too. With their blessing, and unprecedented access to their families, lives, and personal recollections, McCann began to craft Apeirogon, which uses their real-life stories to begin another--one that crosses centuries and continents, stitching together time, art, history, nature, and politics in a tale both heartbreaking and hopeful. The result is an ambitious novel, crafted out of a universe of fictional and nonfictional material, with these fathers' moving story at its heart.
House of Many Tongues by
During the Six Day War, an Israeli general found an abandoned house and made it his home. Forty years later, the general, along with his imaginative and distant son Alex, live in peaceful solitude. When a Palestinian writer shows up with is daughter and lays claim to the house he left decades ago, an internal house war ensues. The bathroom is seized, a fig tree is destroyed, and the basement becomes a shrine in the resulting chaos. Relenting, both men strike a deal to share the house. Somehow these two families are going to have to live together--if they don't kill each other first.
A Tale of Love and Darkness by 
The Lemon Tree by
A NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST "Extraordinary ... A sweeping history of the Palestinian-Israeli conundrum ... Highly readable and evocative." - The Washington Post The tale of a simple act of faith between two young people, one Israeli and one Palestinian, that symbolizes the hope for peace in the Middle East - with an updated afterword by the author. In 1967, Bashir Khairi, a twenty-five-year-old Palestinian, journeyed to Israel with the goal of seeing the beloved stone house with the lemon tree behind it that he and his family had fled nineteen years earlier. To his surprise, when he found the house he was greeted by Dalia Eshkenazi Landau, a nineteen-year-old Israeli college student, whose family left fled Europe for Israel following the Holocaust. On the stoop of their shared home, Dalia and Bashir began a rare friendship, forged in the aftermath of war and tested over the next half century in ways that neither could imagine on that summer day in 1967. Sandy Tolan brings the Israeli-Palestinian conflict down to its most human level, demonstrating that even amid the bleakest political realities there exist stories of hope and transformation.
The Blue Between Sky and Water by
In the small Palestinian farming village of Beit Daras, the women of the Baraka family inspire awe. Nazmiyeh is brazen and fiercely protective of her clairvoyant little sister, Mariam, with her mismatched eyes, and of their mother, Um Mahmoud, known for the fearsome djinni that sometimes possesses her. When the family is forced by the newly formed State of Israel to leave their ancestral home, only Nazmiyeh and her brother survive the long road to Gaza. Amidst the violence and fragility of the refugee camp, Nazmiyeh builds a family, navigates crises, and nurtures what remains of Beit Daras's community. But her brother continues his exile's journey to America, where, upon his death, his granddaughter Nur grows up alone, in a different kind of exile, the longing for family and roots eventually beckoning her to Gaza. Internationally bestselling author Susan Abulhawa's powerful new novel explores the legacy of dispossession across continents and generations. With devastatingly clear-eyed vision of political and personal trauma,The Blue Between Sky and Water is the story of flawed yet profoundly courageous women, of separation and heartache, endurance and renewal.
Palestine by
Joe Sacco's breakthrough novel of graphic journalism has been widely hailed as one of the great graphic novels of all time, having sold over 50,000 copies. This special edition is the definitive hardcover collection of Sacco's landmark of comic journalism. In addition to the original 288-page graphic novel, introduced by the late Edward Said, this edition includes a host of unique supplemental never-before-published material, including many of Sacco's original background notes, sketches, photographic reference and a new interview with the author.
Israel: a History by
"The most comprehensive account of Israeli history yet published." -- The Sunday Telegraph "An epic history . . . a picture of an Israel that persevered and prevailed, that was determined to survive and was unwilling to trust its independence to others but sought peace whenever possible." -- Foreign Affairs Israel is a small and relatively young country, but since the day of its creation more than half a century ago, its turbulent history has placed it squarely at the center of the world stage. For two millennia the Jews, dispersed all over the world, prayed for a return to Zion. Until the nineteenth century, that dream seemed a fantasy, but then a secular Zionist movement was born and soon the initial trickle of Jewish immigrants to Palestine turned into a flood as Jews fled persecution in Europe. From these beginnings, preeminent historian Martin Gilbert traces the events and personalities that would lead to the sudden, dramatic declaration of Statehood in May 1948. From that point on, Israel's history has been dominated by conflict: Suez, the Six Day War, the Yom Kippur War, the Lebanon and the Intifada. Using contemporary documents and eyewitness accounts, and drawing on his own intimate knowledge of the country and its people, Martin Gilbert weaves together a riveting, page-turning history of a powerful and proud nation, from the struggles of its pioneers in the nineteenth century up to the present day.
Palestine by
This rich and magisterial work traces Palestine's millennia-old heritage, uncovering cultures and societies of astounding depth and complexity that stretch back to the very beginnings of recorded history.Starting with the earliest references in Egyptian and Assyrian texts, Nur Masalha explores how Palestine and its Palestinian identity have evolved over thousands of years, from the Bronze Age to the present day. Drawing on a rich body of sources and the latest archaeological evidence, Masalha shows how Palestine's multicultural past has been distorted and mythologised by Biblical lore and the Israel-Palestinian conflict.In the process, Masalha reveals that the concept of Palestine, contrary to accepted belief, is not a modern invention or one constructed in opposition to Israel, but rooted firmly in ancient past. Palestine represents the authoritative account of the country's history.
Jerusalem by
Jerusalem is the universal city, the capital of two peoples, the shrine of three faiths; it is the prize of empires, the site of Judgement Day and the battlefield of today's clash of civilizations. From King David to Barack Obama, from the birth of Judaism, Christianity and Islam to the Israel-Palestine conflict, this is the epic history of three thousand years of faith, slaughter, fanaticism and coexistence. Â How did this small, remote town become the Holy City, the "center of the world" and now the key to peace in the Middle East? In a gripping narrative, Simon Sebag Montefiore reveals this ever-changing city in its many incarnations, bringing every epoch and character blazingly to life. Jerusalem's biography is told through the wars, love affairs and revelations of the men and women--kings, empresses, prophets, poets, saints, conquerors and whores--who created, destroyed, chronicled and believed in Jerusalem. As well as the many ordinary Jerusalemites who have left their mark on the city, its cast varies from Solomon, Saladin and Suleiman the Magnificent to Cleopatra, Caligula and Churchill; from Abraham to Jesus and Muhammad; from the ancient world of Jezebel, Nebuchadnezzar, Herod and Nero to the modern times of the Kaiser, Disraeli, Mark Twain, Lincoln, Rasputin, Lawrence of Arabia and Moshe Dayan. Â Drawing on new archives, current scholarship, his own family papers and a lifetime's study, Montefiore illuminates the essence of sanctity and mysticism, identity and empire in a unique chronicle of the city that many believe will be the setting for the Apocalypse. This is how Jerusalem became Jerusalem, and the only city that exists twice--in heaven and on earth.
Bethlehem by
"[Bethlehem] brings within reach 11,000 years of history, centering on the beloved town's unique place in the world. Blincoe's love of Bethlehem is compelling, even as he does not shy away from the complexities of its chronicle." -- President Jimmy Carter Bethlehem is so suffused with history and myth that it feels like an unreal city even to those who call it home. For many, Bethlehem remains the little town at the edge of the desert described in Biblical accounts. Today, the city is hemmed in by a wall and surrounded by forty-one Israeli settlements and hostile settlers and soldiers. Nicholas Blincoe tells the town's history through the visceral experience of living there, taking readers through its stone streets and desert wadis, its monasteries, aqueducts, and orchards to show the city from every angle and era. His portrait of Bethlehem sheds light on one of the world's most intractable political problems, and he maintains that if the long thread winding back to the city's ancient past is severed, the chances of an end to the Palestine-Israel conflict will be lost with it.
Overcoming Speechlessness by
Poet Alice Walker writes of her personal encounters with the cruelty and horror in Rwanda, Eastern Congo and Palestine/Israel through her work with Women for Women International and Code Pink and of finding her voice again after a period of speechlessness. Bearing witness to a range of depravity, Walker presents the stories of the individuals who have crossed her path and shared their tales of suffering and courage. Self-imposed silence has slowed global response to those suffering and with this book, Walker aims to redress the balance.
Modern Art in the Arab World by
Modern Art in the Arab World: Primary Documents offers an unprecedented resource for the study of modernism: a compendium of critical art writings by twentieth-century Arab intellectuals and artists. The selection of texts--many of which appear here for the first time in English--includes manifestos, essays, transcripts of roundtable discussions, diary entries, exhibition guest-book comments, letters, and more. Traversing empires and nation-states, diasporas and speculative cultural and political federations, these documents bring light to the formation of a global modernism, through debates on originality, public space, spiritualism and art, postcolonial exhibition politics, and Arab nationalism, among many other topics. The collection is framed chronologically, and includes contextualizing commentaries to assist readers in navigating its broad geographic and historical scope. Interspersed throughout the volume are sixteen contemporary essays: writings by scholars on key terms and events as well as personal reflections by modern artists who were themselves active in the histories under consideration. A newly commissioned essay by historian and Arab-studies scholar Ussama Makdisi provides a historical overview of the region's intertwined political and cultural developments during the twentieth century. Modern Art in the Arab World is an essential addition to the investigation of modernism and its global manifestations. Publication of the Museum of Modern Art Distributed by Duke University Press
From Palestine to Israel by
In this carefully curated and beautifully presented photobook, Ariella Azoulay offers a new perspective on four crucial years in the history of Palestine/Israel. The book reconstructs the processes by which the Palestinian majority in Mandatory Palestine became a minority in Israel, while the Jewish minority established a new political entity in which it became a majority ruling a minority Palestinian population. By reading over 200 photographs from that period, most of which were previously confined to Israeli state archives, Azoulay recounts the events and the stories that for years have been ignored or only partially acknowledged in Israel and the West. Including substantial analytical text, this book will give activists, scholars and journalists a new perspective on the origins of the Palestine-Israel conflict.
Blaming the Victims by 
The Palestinian People by
In a timely reminder of how the past informs the present, Baruch Kimmerling and Joel Migdal offer an authoritative account of the history of the Palestinian people from their modern origins to the Oslo peace process and beyond. Palestinians struggled to create themselves as a people from the first revolt of the Arabs in Palestine in 1834 through the British Mandate to the impact of Zionism and the founding of Israel. Their relationship with the Jewish people and the State of Israel has been fundamental in shaping that identity, and today Palestinians find themselves again at a critical juncture. In the 1990s cornerstones for peace were laid for eventual Palestinian-Israeli coexistence, including mutual acceptance, the renunciation of violence as a permanent strategy, and the establishment for the first time of Palestinian self-government. But the dawn of the twenty-first century saw a reversion to unmitigated hatred and mutual demonization. By mid-2002 the brutal violence of the Intifada had crippled Palestine's fledgling political institutions and threatened the fragile social cohesion painstakingly constructed after 1967. Kimmerling and Migdal unravel what went right--and what went wrong--in the Oslo peace process, and what lessons we can draw about the forces that help to shape a people. The authors present a balanced, insightful, and sobering look at the realities of creating peace in the Middle East.
Footnotes in Gaza by 
Question of Palestine by 
Our Harsh Logic by
"One of the most important books on Israel/Palestine in this generation."--The New York Review of Books Support for Israel's occupation of Palestinian territory--both internationally and within Israel itself--rests on the belief that the Israeli army's presence in the West Bank and Gaza is essentially protective, aimed at safeguarding the country from terror. But Israeli soldiers themselves tell a profoundly different story. In this landmark work, which includes more than a hundred soldiers' testimonies collected over a decade, what emerges is a broad policy that is as much offensive as defensive. In their own words, the soldiers reveal in vivid detail how key planks of the army's program have served to accelerate Israeli acquisition of Palestinian land, cripple all normal political and social life, and ultimately thwart the possibility of Palestinian independence. Taking aim at a silence of complicity that perpetuates the justification for occupation, the soldiers who speak out here offer a gripping and immediate record of oppression. Powerful and incontrovertible,Our Harsh Logic is a supremely significant contribution to one of the world's most vexed conflicts.
The Edward Said Reader by
Edward Said, the renowned literary and cultural critic and passionately engaged intellectual, is one of our era's most formidable, provocative, and important thinkers.nbsp;nbsp;For more than three decades his books, which include Culture and Imperialism, Peace and Its Discontents, and the seminal study Orientalism, have influenced not only our worldview but the very terms of public discourse. The Edward Said Reader includes key sections from all of Said's books, from the groundbreaking 1966 study of Joseph Conrad to his new memoir, Out of Place. Whether he is writing of Zionism or Palestinian self-determination, Jane Austen or Yeats, music or the media, Said's uncompromising intelligence casts urgent light on every subject he undertakes. The Edward Said Reader will prove a joy to the general reader and an indispensable resource for scholars of politics, history, literature, and cultural studies: in short, of all those fields that his work has influenced and, in some cases, transformed.
Palestine Speaks by
The occupation of the West Bank and Gaza has been one of the world's most widely reported yet least understood human rights crises for over four decades. In this oral history collection, men and women from Palestine--including a fisherman, a settlement administrator, and a marathon runner--describe in their own words how their lives have been shaped by the historic crisis. Other narrators include: ABEER, a young journalist from Gaza City who launched her career by covering bombing raids on the Gaza Strip. IBTISAM, the director of a multi-faith children's center in the West Bank whose dream of starting a similar center in Gaza has so far been hindered by border closures. GHASSAN, an Arab-Christian physics professor and activist from Bethlehem who co-founded the International Solidarity Movement.
Cinema and Zionism by
This book examines the connections between the cinema of the Yishuv (Ottoman and Mandatory Palestine) and the Zionist idea. The book follows the plans to create the figure of the New Jew in Eretz Yisrael, as part of a personal, national, and universal revolution, and it explores the figure and traits of the pioneer. It also examines how cinema has presented the Zionist idea. Cinema and Zionism analyzes the plots, the modes of expression, the themes, and the ideological elements that typify these films, and it positions them within the structure of the Zionist idea. It also engages with connections between the Zionist idea and the cinema through a discussion on the cinematic endeavors and the relationships between the filmmakers and national institutions. The correlation between the two histories is revealed with all its complexity and depth. The book sheds light on a distinctive perspective in the narrative of Eretz Yisrael - that of the creation and consumption of a new culture. The tales of working on the films - how they were prepared and shot, and their ultimate reception - are interwoven with outlines of the films themselves. Together, they create a portrait of an ideological society that distilled events and incidents into myths aimed at forging the Zionist outlook and instructing Zionist settlers toward fulfilling its goals. "...explicit, enlightening, and, at times, even provocative. It deals with the complex and still relevant issue of Zionist leaders' relationships between the American-Jewish institutions and the latter's approach to what was to become the State of Israel, including their attempts to shape the destiny of the nation-in-waiting through the first Jewish films produced in Palestine". Yael Munk, H-Judaic, H-Net Reviews, November 2012
Palestinian Folk Costume by
Compares styles, textiles, embroidery, and jewelry of townsfolk, villagers, and nomads in different regions. Follows the development of styles from the early 1900's to the present. Many photographs from the time of British control; later photographs are, more courteously, of costumes without people.
The Accidental Empire by
The untold story, based on groundbreaking original research, of the actions and inactions that created the Israeli settlements in the occupied territories After Israeli troops defeated the armies of Egypt, Syria, and Jordan in June 1967, the Jewish state seemed to have reached the pinnacle of success. But far from being a happy ending, the Six-Day War proved to be the opening act of a complex political drama, in which the central issue became: Should Jews build settlements in the territories taken in that war? The Accidental Empire is Gershom Gorenberg's masterful and gripping account of the strange birth of the settler movement, which was the child of both Labor Party socialism and religious extremism. It is a dramatic story featuring the giants of Israeli history - Moshe Dayan, Golda Meir, Levi Eshkol, Yigal Allon - as well as more contemporary figures like Ariel Sharon, Yitzhak Rabin, and Shimon Peres. Gorenberg also shows how the Johnson, Nixon, and Ford administrations turned a blind eye to what was happening in the territories, and reveals their strategic reasons for doing so. Drawing on newly opened archives and extensive interviews, Gorenberg reconstructs what the top officials knew and when they knew it, while weaving in the dramatic first-person accounts of the settlers themselves. Fast-moving and penetrating, The Accidental Empire casts the entire enterprise in a new and controversial light, calling into question much of what we think we know about this issue that continues to haunt the Middle East.
My Voice Is My Weapon by
In My Voice Is My Weapon, David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues.
Children of the Stone by
It is an unlikely story. Ramzi Hussein Aburedwan, a child from a Palestinian refugee camp, confronts an occupying army, gets an education, masters an instrument, dreams of something much bigger than himself, and then, through his charisma and persistence, inspires scores of others to work with him to make that dream real. The dream: a school to transform the lives of thousands of children--as Ramzi's life was transformed--through music. Musicians from all over the world came to help. A violist left the London Symphony Orchestra, in part to work with Ramzi at his new school, Al Kamandjati. An aspiring British opera singer moved to the West Bank to teach voice lessons. Daniel Barenboim, the eminent Israeli conductor, invited Ramzi to join his West Eastern Divan Orchestra, which he founded with the late Palestinian intellectual, Edward Said. Since then the two have played together frequently. "Ramzi has transformed not only his life, his destiny, but that of many other people," Barenboim said. "This is an extraordinary collection of children from all over Palestine that have all been inspired and opened to the beauty of life." Children of the Stonechronicles Ramzi's journey--from stone thrower to music student to school founder--and shows how through his love of music he created something lasting and beautiful in a land torn by violence and war. This is a story about the power of music, first, but also about freedom and conflict, determination and vision. It's a vivid portrait of life amid checkpoints and military occupation, a growing movement of nonviolent resistance, the prospects of musical collaboration across the Israeli-Palestinian divide, and the potential of music to help children everywhere see new possibilities for their lives.
Raeda Saadeh : reframing Palestine by 
Visual Occupations by
In Visual Occupations Gil Z. Hochberg shows how the Israeli Occupation of Palestine is driven by the unequal access to visual rights, or the right to control what can be seen, how, and from which position. Israel maintains this unequal balance by erasing the history and denying the existence of Palestinians, and by carefully concealing its own militarization. Israeli surveillance of Palestinians, combined with the militarized gaze of Israeli soldiers at places like roadside checkpoints, also serve as tools of dominance. Hochberg analyzes various works by Palestinian and Israeli artists, among them Elia Suleiman, Rula Halawani, Sharif Waked, Ari Folman, and Larry Abramson, whose films, art, and photography challenge the inequity of visual rights by altering, queering, and manipulating dominant modes of representing the conflict. These artists' creation of new ways of seeing--such as the refusal of Palestinian filmmakers and photographers to show Palestinian suffering or the Israeli artists' exposure of state manipulated Israeli blindness --offers a crucial gateway, Hochberg suggests, for overcoming and undoing Israel's militarized dominance and political oppression of Palestinians.
The Secret Life of Saeed by
This contemporary classic, the story of a Palestinian who becomes a citizen of Israel, combines fact and fantasy, tragedy and comedy. Saeed is the comic hero, the luckless fool, whose tale tells of aggression and resistance, terror and heroism, reason and loyalty that typify the hardships and struggles of Arabs in Israel. An informer for the Zionist state, his stupidity, candor, and cowardice make him more of a victim than a villain; but in a series of tragicomic episodes, he is gradually transformed from a disaster-haunted, gullible collaborator into a Palestinian--no hero still, but a simple man intent on survival and, perhaps, happiness. The author's own anger and sorrow at Palestine's tragedy and his acquaintance with the absurdities of Israeli politics (he was once a member of Israel's parliament himself) are here transmuted into satire both biting and funny. Translated by Anton Shammas into Hebrew, The Secret Life of Saeed won Israel's foremost Prize for Literature; a stage version played to great acclaim for a decade.
Men in the Sun and Other Palestinian Stories by
"Far from being a simple parable, [Men in the Sun] depicts some often hidden aspects of the complex social and political reality of the Palestinians ... and is also a well-told story.... We should not forget the excellent translation of Hilary Kilpatrick which not only manages to preserve the subtle voice of the narrator, but also matches accurately the sober and lucid prose in Arabic for which Kanafani was hugely admired."--Samir el-Youssef, Banipal This collection of important stories by novelist, journalist, teacher, and Palestinian activist Ghassan Kanafani includes the stunning novella Men in the Sun (1962), the basis of the film The Deceived. Also in the volume are "The Land of Sad Oranges" (1958), "'If You Were a Horse . . .'" (1961), "A Hand in the Grave" (1962), "The Falcon" (1961), "Letter from Gaza" (1956), and an extract from Umm Saad (1969). In the unsparing clarity of his writing, Kanafani offers the reader a gritty look at the agonized world of Palestine and the adjoining Middle East.
Minor Detail by
Minor Detail begins during the summer of 1949, one year after the war that the Palestinians mourn as the Nakba--the catastrophe that led to the displacement and exile of some 700,000 people--and the Israelis celebrate as the War of Independence. Israeli soldiers murder an encampment of Bedouin in the Negev desert, and among their victims they capture a Palestinian teenager and they rape her, kill her, and bury her in the sand. Many years later, in the near-present day, a young woman in Ramallah tries to uncover some of the details surrounding this particular rape and murder, and becomes fascinated to the point of obsession, not only because of the nature of the crime, but because it was committed exactly twenty-five years to the day before she was born. Adania Shibli masterfully overlays these two translucent narratives of exactly the same length to evoke a present forever haunted by the past.
Fireworks by
There's no-one in the streets but us. You run that way and I'll run this way. Whoever gets back to the front door first without getting shot, wins.In a Palestinian town eleven-year-old Lubna and twelve-year-old Khalil are playing on the empty stairwell in their apartment block. As the siege intensifies outside, fear for their safety becomes as crippling as the conflict itself.Dalia Taha's play offers a new way of seeing how war fractures childhood. Fireworks (Al'ab Nariya) is part of International Playwrights: A Genesis Foundation Project and received its world premiere at the Royal Court Theatre, London, on 12 February 2015.
My Name Is Rachel Corrie by
"Extraordinary power... Funny, passionate, bristling with idealism and luminously intelligent." -TimeOut London "You feel you have not just had a night at the theatre: you have encountered an extraordinary woman [in this] stunning account of one woman's passionate response... Theatre can't change the world. But what it can do, when it's as good as this, is to send us out enriched by other people's passionate concern." -Guardian (London) "An impassioned eulogy... It's hard not to be impressed - and also somewhat frightened - by the description of her as a two-year-old looking across Capital Lake in Washington State and announcing, 'This is the wide world, and I'm coming to it.'" -New York Times On March 16, 2003, Rachel Corrie, a twenty-three-year-old American, was crushed to death by an Israeli Army bulldozer in Gaza as she was trying to prevent the demolition of a Palestinian home. My Name is Rachel Corrie is a one-woman play composed from Rachel's own journals, letters and emails - creating a portrait of a messy, articulate, Salvador Dali-loving chain-smoker (with a passion for the music of Pat Benatar), who left her home and school in Olympia, Washington, to work as an activist in the heart of Israeli-Palestinian conflict. Since its Royal Court premiere (London), the piece has been surrounded by both controversy and impassioned proponents, and has raised an unprecedented call to support political work and the difficult discourse it creates. ALAN RICKMAN is a British actor and director, who directed the London and New York productions of the play. KATHERINE VINER is an award-winning journalist and editor of the Guardian's Weekend Magazine.
The Civil Contract of Photography by
In this groundbreaking work, Ariella Azoulay thoroughly revises our understanding of the ethical status of photography. It must, she insists, be understood in its inseparability from the many catastrophes of recent history. She argues that photography is a particular set of relations between individuals and the powers that govern them and, at the same time, a form of relations among equals that constrains that power. Anyone, even a stateless person, who addresses others through photographs or occupies the position of a photograph's addressee, is or can become a member of the citizenry of photography. The crucial arguments of the book concern two groups that have been rendered invisible by their state of exception: the Palestinian noncitizens of Israel and women in Western societies. Azoulay's leading question is: Under what legal, political, or cultural conditions does it become possible to see and show disaster that befalls those with flawed citizenship in a state of exception? The Civil Contract of Photography is an essential work for anyone seeking to understand the disasters of recent history and the consequences of how they and their victims are represented.
Forensic Architecture by
In recent years, a little-known research group named Forensic Architecture began using novel research methods to undertake a series of investigations into human rights abuses. Today, the group provides crucial evidence for international courts and works with a wide range of activist groups, NGOs, Amnesty International, and the UN. Beyond shedding new light on human rights violations and state crimes across the globe, Forensic Architecture has also created a new form of investigative practice that bears its name. The group uses architecture as an optical device to investigate armed conflicts and environmental destruction, as well as to cross-reference a variety of evidence sources, such as new media, remote sensing, material analysis, witness testimony, and crowd-sourcing. In Forensic Architecture, Eyal Weizman, the group's founder, provides, for the first time, an in-depth introduction to the history, practice, assumptions, potentials, and double binds of this practice. The book includes an extensive array of images, maps, and detailed documentation that records the intricate work the group has performed. Included in this volume are case studies that traverse multiple scales and durations, ranging from the analysis of the shrapnel fragments in a room struck by drones in Pakistan, the reconstruction of a contested shooting in the West Bank, the architectural recreation of a secret Syrian detention center from the memory of its survivors, a blow-by-blow account of a day-long battle in Gaza, and an investigation of environmental violence and climate change in the Guatemalan highlands and elsewhere. Weizman's Forensic Architecture, stunning and shocking in its critical narrative, powerful images, and daring investigations, presents a new form of public truth, technologically, architecturally, and aesthetically produced. Their practice calls for a transformative politics in which architecture as a field of knowledge and a mode of interpretation exposes and confronts ever-new forms of state violence and secrecy.
They are human too ... : a photographic essay on the Palestine Arab refugees by
The author and photographer of this book is a Swede. He is a compatriot of that other Swede, Count Folke Bernadotte, who was assassinated while serving as UN Mediator in Palestine. ... In this book he reports a visit to the dispossessed Arabs in the Gaza Strip. Here he finds yet another displaced people who are despairing and in want. The UN Relief and Works Agency does what it can with insufficient funds to meet the needs of these expelled Arabs, he states. While the beautiful illustrations do not stress the sorrowful aspects they do show the people as they wait out their lives in this desert strip, or gather their livelihood by fishing on the sea. The children, with their great dark eyes, showing fear, wariness or happiness, are especially appealing. Women carrying water jars on their heads, students attending out-door schools, old men sitting hopeless or blind by crude doorways all combine to show an illuminating picture of want. -- A review fom http://www.jstor.org (August 26, 2016).
Flowers of the Holy Land : 25 color reproductions of original watercolors by