Among Others: Blackness at MoMA
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Black Cultural Traffic: Crossroads in Global Performance and Popular Culture
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Black Is, Black Ain't
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Carrie Mae Weems: Kitchen Table Series
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Charles Burnett: A Cinema of Symbolic Knowledge
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Charles Gaines: Palm Trees and Other Works
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Chorus: A Literary Mixtape
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In the Black Fantastic
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Is God Is: A Play
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Little Leaders: Bold Women in Black History
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Mark Bradford: End Papers
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Notes (8 pieces) : source : a new world : music : creative music
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Rodney McMillian
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The Shadows Took Shape
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Sir
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Theatrical Jazz: Performance, Àṣẹ, and the Power of the Present Moment
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Todd Gray: Euclidean Gris Gris
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Unexplained Presence
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Violet
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Voice and Speech Training in the New Millennium: Conversations with Master Teachers
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Asphalt
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Already a celebrated performance artist, vocalist, poet, playwright, and visionary, Carl Hancock Rux now presents a brilliant debut novel--a profound and lyrical portrait of urban life that will take its place among the classics of American literature.Racine is a reserved young man, but his passion for music lights him up inside. He's just returned from Paris where he'd been invited by a friend to produce music, make recordings, and earn a living. The plan didn't quite pan out, and now he's back in New York, where fate, providence, or just plain chance leads him to a once-glorious brownstone turned into a squat by a few eccentric loners.There's Manny, who wears sarongs and glitter but has no trouble attracting beautiful women, and Couchette, a gorgeous second-generation dancer whose mother has gone to Bali to live and bear a child with a man who built her a house in the midst of a rice paddy. What binds the characters is a deep sense of loss. Each is--like the city they live in--wounded and seeking healing and connection with and through the other housemates.Rux's poetic fiction blurs the lines between characters' dreams, memory, and reality. Asphalt--the name representing the essence of the city and the hard, layered, yet vulnerable sensibility of its inhabitants--is part post-modern parable, part urban mythology, and altogether relevant to contemporary reality. Asphalt is daring and unforgettable, marking the arrival of an original and astounding new voice in American literature.
Black Acting Methods
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Black Acting Methods seeks to offer alternatives to the Euro-American performance styles that many actors find themselves working with. A wealth of contributions from directors, scholars and actor trainers address afrocentric processes and aesthetics, and interviews with key figures in Black American theatre illuminate their methods. This ground-breaking collection is an essential resource for teachers, students, actors and directors seeking to reclaim, reaffirm or even redefine the role and contributions of Black culture in theatre arts.
Black American Portraits
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A celebratory visual chronicle of the many ways in which Black Americans have used portraiture to envision themselves Spanning over two centuries from around 1800 to the present day, Black American Portraits chronicles the ways in which Black Americans have used portraiture to envision themselves in their own eyes. Remembering Two Centuries of Black American Art, curated by David C. Driskell at LACMA 45 years ago, this book is a companion to the exhibition of the same name that reframes portraiture to center Black American subjects, sitters and spaces. This selection of approximately 140 works from LACMA's permanent collection highlights emancipation, scenes from the Harlem Renaissance, portraits from the Civil Rights and Black Power eras, multiculturalism of the 1990s and the spirit of Black Lives Matter. Countering a visual culture that often demonizes Blackness and fetishizes the spectacle of Black pain, these images center love, abundance, family, community and exuberance. Black American Portraits depicts Black figures in a range of mediums such as painting, drawing, prints, photography, sculpture, mixed media and time-based media. In addition to work by artists of African descent, Black American Portraits includes several works by artists of other backgrounds who have exemplified a thoughtfulness about, sensitivity toward and commitment to Black artists, communities, histories and subjects. Artists include: Alvin Baltrop, Edward Biberman, Bisa Butler, Jordan Casteel, Njideka Akunyili Crosby, Bruce Davidson, Stan Douglas, rafa esparza, Shepard Fairey, Charles Gaines, Sargent Claude Johnson, Deana Lawson, Kerry James Marshall, Alice Neel, Lorraine O'Grady, Catherine Opie, Amy Sherald, Ming Smith, Henry Taylor, Tourmaline, Mickalene Thomas, James Van Der Zee, Carrie Mae Weems, Charles White, Kehinde Wiley and Deborah Willis.
Black Performance on the Outskirts of the Left
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Articulates the role black theatricality played in the radical energy of the sixties Black Performance on the Outskirts of the Left illustrates the black political ideas that radicalized the artistic endeavors of musicians, playwrights, and actors beginning in the 1960s. These ideas paved the way for imaginative models for social transformation through performance. Using the notion of excess--its transgression, multiplicity, and ambivalence--Malik Gaines considers how performances of that era circulated a black political discourse capable of unsettling commonplace understandings of race, gender, and sexuality. Following the transnational route forged by W.E.B. Du Bois, Josephine Baker, and other modern political actors, from the United States to West Africa, Europe and back, this book considers how artists negotiated at once the local, national, and diasporic frames through which race has been represented. Looking broadly at performances found in music, theater, film, and everyday life--from American singer and pianist Nina Simone, Ghanaian playwrights Efua Sutherland and Ama Ata Aidoo, Afro-German actor Günther Kaufmann, to California-based performer Sylvester--Gaines explores how shared signs of racial legacy and resistance politics are articulated with regional distinction. Bringing the lens forward through contemporary art performance at the 2015 Venice Biennial, Gaines connects the idea of sixties radicality to today's interest in that history, explores the aspects of those politics that are lost in translation, and highlights the black expressive strategies that have maintained potent energy. Black Performance on the Outskirts of the Left articulates the role black theatricality played in the radical energy of the sixties, following the evolution of black identity politics to reveal blackness's ability to transform contemporary social conditions.
The déjà Vu
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Gabrielle Civil mines black dreams and black time to reveal a vibrant archive of black feminist creative expressions. Emerging from the intersection of pandemic and uprising, the déjA vu activates forms both new and ancestral, drawing movement, speech, and lyric essay into performance memoir. As Civil considers Haitian tourist paintings, dance rituals, race at the movies, black feminist legacies, and more, she reflects on her personal losses and desires, speculates on black time, and dreams into expansive black life. With intimacy, humor, and verve, the déjA vu blurs boundaries between memory, grief, and love; then, now, and the future.
Gary Simmons
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From his child-sized Klan robes and rows of empty gilded sneakers to his recent photographs of uninhabited pedagogical spaces, Gary Simmons's work contains and invokes an absence as palpable and fraught with meaning as any presence. His best known work, expansive erasure drawings containing imagery addressing issues pertaining to race, pedagogy and culture, are sketched on blackboards and walls and then rubbed and smudged by the artist's own hands. A widely acclaimed young artist who came to prominence in the late 80s, Simmons's work in drawing and sculpture deals extensively with black identity and with imagery inspired by American popular culture, from cartoons to vernacular architecture. This catalogue, the artist's first, focuses on work produced since the mid-1990s.
Henry Taylor
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Legendary artist Henry Taylor's first major monograph chronicles his life and work--the "visual equivalent of the blues." This definitive survey of over 200 of the painter's portraits and street scenes forms a personal and political portrait of society today. For three decades the iconic artist has worked his way through New York, Los Angeles, Europe, and Africa, documenting what he sees. In his circle are artists, musicians, writers, performers, as well as friends from his ten years as a psychiatric technician. It is the artist's empathetic eye that allows him to imagine his figures with authenticity and grace--not better than they are, or more glamorous--but part of a big, complicated world. Flat, brushy flows of color cast figures that often float in surreal landscapes abstracted from the barbeque in the park, or neighboring street. Suites of Taylor's paintings are reproduced alongside handwritten accounts of the sittings, offering an in-depth understanding of the artist's world. Contributions by Charles Gaines, Rachel Kaadzi Ghansah, Sarah Lewis, and Zadie Smith touch on the nature of truth, racial terror; memory and belonging in America. This definitive monograph celebrates Taylor's direct and revealing portraits, offering a tonic to a divisive cultural moment.
L. A. Rebellion
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L.A. Rebellion: Creating a New Black Cinema is the first book dedicated to the films and filmmakers of the L.A. Rebellion, a group of African, Caribbean, and African American independent film and video artists that formed at the University of California, Los Angeles, in the 1970s and 1980s. The group--including Charles Burnett, Julie Dash, Haile Gerima, Billy Woodberry, Jamaa Fanaka, and Zeinabu irene Davis--shared a desire to create alternatives to the dominant modes of narrative, style, and practice in American cinema, works that reflected the full complexity of Black experiences. This landmark collection of essays and oral histories examines the creative output of the L.A. Rebellion, contextualizing the group's film practices and offering sustained analyses of the wide range of works, with particular attention to newly discovered films and lesser-known filmmakers. Based on extensive archival work and preservation, this collection includes a complete filmography of the movement, over 100 illustrations (most of which are previously unpublished), and a bibliography of primary and secondary materials. This is an indispensible sourcebook for scholars and enthusiasts, establishing the key role played by the L.A. Rebellion within the histories of cinema, Black visual culture, and postwar art in Los Angeles.
Lyle Ashton Harris: Excessive Exposure
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Excessive Exposure documents all the chocolate-colored portraits that Bronx-born artist Lyle Ashton Harris made with a large-format Polaroid camera over the past ten years. This sequence of approximately 200 paired front and back portraits, for which Harris has become so well known, has now come to a close, making this volume the definitive publication on the series. The portraits' subjects include Harris' family and friends, art-world personalities, noted cultural figures, celebrities and politicians. These images are further distinguished by a strategic blurring of conventional gender roles, sexual identities and racial categories, and by a refined use of light and shade. Okwui Enwezor contributes an essay analyzing Harris' portraits, situating these works in the context of the artist's work of the past 20 years, as well as in the broader history of the genre. The book also includes a conversation between Harris and artist Chuck Close that took place in 1999, when Harris was beginning the series. With a penetrating foreword by Henry Louis Gates, Jr., Excessive Exposure offers a wealth of superb portraiture and is destined to become a touchstone volume among photo-books.
Noah Purifoy
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Noah Purifoy made art in order to enact social change. Created mostly from found objects, his neo-Dadaist sculpture both embodies and reflects the environment in which it was created - whether the burnt ruins of the 1966 Watts Riots or the unforgiving climate of the Mojave Desert. This book follows Purifoy's remarkable life and career, during which he transitioned from high-end furniture designer to assemblage artist, social worker, arts administrator and finally creator of a desert art museum. Illustrated throughout with works from every stage of Purifoy's career, this volume also includes essays by acclaimed curators, critics, journalists and fellow artists - all champions of this profoundly thoughtful sculptor whose work has been under recognized for far too long. Published in association with the Los Angeles County Museum of Art.
The Outstanding Actor
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Drawing on Ken Rea's 30 years' teaching experience and research, as well as interviews with top actors and directors, The Outstanding Actor identifies seven key qualities that the most successful actors manifest, along with practical exercises that help nurture those qualities. Featuring contributions and insights from Ewan McGregor, Jude Law, Judi Dench, Al Pacino and many more, The Outstanding Actor gives you techniques that you can immediately put into practice in rehearsals, classes or private preparation. It also shows you how to increase the chances of having a more successful career. 'Ken taught us to be dangerous, to abandon any sense of failure and to take risks - that's where to find creativity. A lesson we can never stop learning.' Orlando Bloom 'The classes with Ken at Guildhall, I consider to be the most important part of the acting training. They are exercises in patience, unpredictability and encouraging students to make utter fools of themselves - vital for any actor embarking on a life in the profession.' Michelle Dockery 'Ken's classes were some of the most interesting that I was lucky enough to attend at drama school. He opened the mind to what acting could be.' Ewan McGregor Includes a foreword by Damian Lewis.
Sadie Barnette: Legacy and Legend
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Sadie Barnette's celebratory installations explore collective and familial histories in glittering, speculative spaces Oakland-based multimedia artist Sadie Barnette (born 1984) has made groundbreaking explorations of her own family's history and archives. She situates her father Rodney Barnette's activism, including his founding of the Black Panther chapter in Compton, CA, and his surveillance by the FBI, in the social history of California and global histories of resistance against racial injustice. Through government documents, photography, writing, installation and her signature use of hot pink, Barnette transforms the bond between father and daughter into an art that speaks to the power of community action. This volume features several new works created for the exhibition, as well as a reproduction of the zine Barnette created as a tribute to her father's New Eagle Creek Saloon, the first Black-owned gay bar in San Francisco.
Someone Took They Tongues
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Poetry. Music. "Kearney's collection of opera libretti explodes with verbal inge-nuity, graphically lunging out at us like Marvel Comics sound effects meets Italo-Futurist cut-up. Stuck in a domestic cell or a tenement, his characters bust out in song that riddles and rages and confounds. Kearney is our generation's lyric and sonic pugilist."--Cathy Park Hong
Transcending Boundaries
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"First Published in 2002, Routledge is an imprint of Taylor & Francis, an informa company."
Venus
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A bold exploration of colonisation and objectification, based on the true story of the 'Hottentot Venus'. Sarah 'Saartjie' Baartman was an indigenous South African woman who - due principally to the large size of her buttocks - was exhibited as a freak-show attraction throughout 19th-century Europe. She became known as the 'Hottentot Venus', and was exploited by the doctor who loved her. Suzan-Lori Parks' play Venus was first performed at the Public Theater, New York, in April 1996. It won the 1995-1996 OBIE Award for Playwriting. 'To make this woman the heroine of a serious tragedy is daring, dangerous - here is a play which treads the line between pathos and absurdity, which is very hard to do, a line walked by all the great dramatists, Shakespeare and Chekhov especially' Tony Kushner
Young, Gifted and Black: a New Generation of Artists
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What's new, now and next from contemporary Black artists A New York Times 2020 holiday gift guide pick This book surveys the work of a new generation of Black artists, and also features the voices of a diverse group of curators who are on the cutting edge of contemporary art. As mission-driven collectors, Bernard I. Lumpkin and Carmine D. Boccuzzi have championed emerging artists of African descent through museum loans and institutional support. But there has never been an opportunity to consider their acclaimed collection as a whole until now. Edited by writer Antwaun Sargent (author of The New Black Vanguard: Photography Between Art and Fashion), Young, Gifted and Black draws from this collection to shed new light on works by contemporary artists of African descent. At a moment when debates about the politics of visibility within the art world have taken on renewed urgency, and establishment voices such as the New York Times are declaring that "it has become undeniable that African American artists are making much of the best American art today," Young, Gifted and Black takes stock of how these new voices are impacting the way we think about identity, politics and art history itself. Young, Gifted and Black contextualizes artworks with contributions from artists, curators and other experts. It features a wide-ranging interview with Bernard Lumpkin and Thelma Golden, director and chief curator of the Studio Museum in Harlem; and an in-depth essay by Antwaun Sargent situating Lumpkin in a long lineage of Black art patrons. A landmark publication, this book illustrates what it means (in the words of Nina Simone) to be young, gifted and Black in contemporary art. Artists include: Mark Bradford, David Hammons, Glenn Ligon, Kerry James Marshall, Julie Mehretu, Adam Pendleton, Pope.L, LaToya Ruby Frazier, Henry Taylor, Mickalene Thomas, Lynette Yiadom-Boakye, Tunji Adeniyi-Jones, Sadie Barnette, Kevin Beasley, Jordan Casteel, Jonathan Lyndon Chase, Bethany Collins, Noah Davis, Cy Gavin, Allison Janae Hamilton, Tomashi Jackson, Samuel Levi Jones, Deana Lawson, Norman Lewis, Eric N. Mack, Arcmanoro Niles, Jennifer Packer, Christina Quarles, Jacolby Satterwhite, Paul Mpagi Sepuya, Sable Elyse Smith, Chanel Thomas, Stacy Lynn Waddell, D'Angelo Lovell Williams, Brenna Youngblood, and more.
A. Gravgaard Madsen / P. Gudmundsen-Holmgreen
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Ants Will Not Eat Your Fingers
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The CalArts African Ensemble's Farewell Concert to Kobla Ladzekpo
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Fred Tinsley
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The Jewel in the Lotus
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Murray's Steps
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Nope: Original Motion Picture Soundtrack
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Phfew
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Return from the Stars
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Spirit Fiction
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Suite for Max Brown
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Sunburst
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Thanks for the Dance
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Tragic Kingdom
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Tribute to Martin Luther King Jr.
Carry on LIB/e
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A brilliant and empowering collection of final reflections and words of wisdom from venerable civil rights champion, the late Congressman John Lewis at the end of his remarkable life.Congressman John Lewis was a paragon of the Civil Rights Movement and political leadership for decades. A hero we won't soon forget, Lewis was a beacon of hope and a model of humility whose invocation to "good trouble" continues to inspire millions across our nation. In his last months on earth, even while battling cancer, he dedicated time to share his memories, beliefs, and advice--exclusively immortalized in these pages--as a message to the generations to come.Organized by topic ranging from justice, courage, faith, mentorship, and forgiveness to the protests and the pandemic, and many more besides, Carry On collects the late Congressman's thoughts for readers to draw on whenever they are in need of guidance. John Lewis had great confidence in our future, even as he died in the midst of one of our country's most challenging years to date. With this book, he performs that crucial passing of the baton, empowering us to live up to the legacy he has left us with his perseverance, dedication, profound insight, and unwavering ability to see the good in life.
Alonzo King's LINES Ballet: Choreography of Alonzo King
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Bamboozled
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Brother to Brother
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Fefe: An African Musical Opera
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Jackie Brown
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Leimert Park: The Story of a Village in South Central Los Angeles
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Me Broni Ba
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This is the Life
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