Exhbtion catalogue of contemporary Palestinian art, Station Museum, Houston, Texas
How denial sustains the liberal imagination of a progressive and democratic Israel. The question that this book aims to answer might seem simple: how can a violent project of dispossession and discrimination be imagined, felt, and profoundly believed in as though it were the exact opposite--an embodiment of sustainability, multicultural tolerance, and democratic idealism? Despite well-documented evidence of racism and human rights abuse, Israel has long been embraced by the most liberal sectors of European and American society as a manifestation of the progressive values of tolerance, plurality, inclusivity, and democracy, and hence a project that can be passionately defended for its lofty ideals.
The secret alliance between Israel, Britain and France to destroy Nasser's rule in Egypt was a pivotal event in the history of the modern Middle East. The Suez crisis brought about both a humiliation for the old imperial powers and a remarkable victory for Israel. Mordechai Bar-On was General Moshe Dayan's personal assistant during the Suez campaign and has drawn on both his own diary and many years of research to produce a gripping, definitive account of the Israeli side to the war. The Gates of Gaza describes the fears, suspicions and agonizing debates that resulted in Ben-Gurion's decision to enter the clandestine pact with France and Britain, the military victory in the Sinai, and the subsequent withdrawal in the face of pressure from the United Nations. What was at the time a frustrating conflict for Israel should now be seen, in Dr Bar-On's view, as a crucial event in securing the new nation's position in the Middle East and providing a breathing space before the great Arab challenge of 1967.
Modern Art in the Arab World: Primary Documents offers an unprecedented resource for the study of modernism: a compendium of critical art writings by twentieth-century Arab intellectuals and artists. The selection of texts--many of which appear here for the first time in English--includes manifestos, essays, transcripts of roundtable discussions, diary entries, exhibition guest-book comments, letters, and more. Traversing empires and nation-states, diasporas and speculative cultural and political federations, these documents bring light to the formation of a global modernism, through debates on originality, public space, spiritualism and art, postcolonial exhibition politics, and Arab nationalism, among many other topics. The collection is framed chronologically, and includes contextualizing commentaries to assist readers in navigating its broad geographic and historical scope.
A landmark of journalism and the art form of comics. Based on several months of research and an extended visit to the West Bank and Gaza Strip in the early 1990s, this is a major work of political and historical nonfiction.
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Made in Palestine
by
Tarif Abboushi (Preface by); James Harithas (Introduction by); Roger Cook (Designed by); Tex Kerschen (Text by); Cathryn Cook (Produced by); Allan Antliff (Text by); Ileana Marcoulesco (Text by); Salwa Mikdadi-Nashashibi (Text by); Santiago Nasar (Text by)
Exhbtion catalogue of contemporary Palestinian art, Station Museum, Houston, Texas
The Gaza Strip
by
Sara Roy
In the final edition of Roy's ground-breaking work, she argues that Gaza's trajectory over the last 48 years has reconstructed the territory from one that had been economically integrated and deeply dependent upon Israel and strongly tied to the West Bank, to an isolated and disposable enclave cut off from the West Bank as well as Israel and subject to ongoing military attacks.
They are human too ... : a photographic essay on the Palestine Arab refugees
by
Per-Olow Anderson 1921-
The author and photographer of this book is a Swede. He is a compatriot of that other Swede, Count Folke Bernadotte, who was assassinated while serving as UN Mediator in Palestine. ... In this book he reports a visit to the dispossessed Arabs in the Gaza Strip. Here he finds yet another displaced people who are despairing and in want. The UN Relief and Works Agency does what it can with insufficient funds to meet the needs of these expelled Arabs, he states. While the beautiful illustrations do not stress the sorrowful aspects they do show the people as they wait out their lives in this desert strip, or gather their livelihood by fishing on the sea. The children, with their great dark eyes, showing fear, wariness or happiness, are especially appealing. Women carrying water jars on their heads, students attending out-door schools, old men sitting hopeless or blind by crude doorways all combine to show an illuminating picture of want. -- A review fom http://www.jstor.org (August 26, 2016).
Flowers of the Holy Land : 25 color reproductions of original watercolors
by
Bertha Spafford Vester 1878-1968, Lowell Thomas 1892-1981, Norman Vincent Peale 1898-1993.
Israel : ancient mosaics
by
Meyer Schapiro 1904-1996,(Writer of preface), Michael Avi-Yonah 1904-1974, (Writer of introduction), Unesco, New York Graphic Society
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